Antim The Final Truth movie solid: Salman Khan, Aayush Sharma, Mahima Makwana, Jisshu Sengupta, Sachin Khedekar, Upendra Limaye, Nikitin Dheer, Mahesh Majrekar
Antim The Final Truth movie director: Mahesh Manjrekar
Antim The Final Truth movie rating: One and a half stars
First report after watching ‘Antim: The Final Truth’? My ear drums have shattered. Even going by the usual loudness of background music, this one sends it by the roof. Can you sit by a masala movie with out having to say that no ears have been harmed via the watching of the film? Subsequent time, remind me to decide on up ear-plugs.
Within the meantime, proper here we’re, watching a film pay lip service, for the millionth time, to the plight of poor farmers, land-grabbers, greedy netas, and completely different evil people. The film, based totally on the Marathi movie ‘Mulshi Pattern’, makes use of that superstructure to offer Aayush Sharma a possibility to fluctuate his lover-boy image, cemented inside the 2018 ‘Loveyatri’, and to offer Salman Khan’s followers, pining for his or her dabangg idol, a possibility to re-unite with him.
These twin objects are fulfilled with various zeal and enthusiasm, because of from the start, not a second goes by with out the varsity dropout Rahul/Rahulya (Aayush Sharma) obtrusive and flaring up at those who have grabbed his arrow-straight father’s (Sachin Khedekar) ‘zameen’. The moments which may be left over are stuffed up by clean-and-mean police officer Sardar Rajveer Singh (Salman Khan), all togged out in a turban, having modified his beloved azure bracelet with a ‘kadaa’, and doing what he does best– baring his ‘faulaadi’ chest, slinging out one-liners, and pulverizing the baddies.
The whole thing else, on this Pune-based actioner chock crammed with Marathi inflections and accents, is a filler. Sachin Khedekar as a result of the long-suffering father who’d fairly die than do one thing dishonest; Upendra Limaye as a result of the dodgy man who takes Rahulya beneath his wing; Jisshu Sengupta as an space hood. Even Rahulya’s love-interest (Mahima Makwana), who performs a woman doling out decreasing chai, is a perfunctory presence: she is going to get a dance, a roll inside the hay, and some speaking scenes.
Sharma appears as if he may get right into a persona, as quickly as he stops participating in a sort. He may notionally be the lead, and he manages to snaffle a bare-chested scene or two, nonetheless make no mistake, the most important traces are all Salman’s. Tu hoga Pune ka Bhai, says the latter to the earlier, par basic Hindustan ka Bhai hoon.
Aur bolo.
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