Blame it on Kadaikutty Singam. The blockbuster success of that rural family drama has spawned an entire new sub-genre of village films in Tamil cinema – group {{photograph}} cinema.
The attribute of this type of cinema embrace the following requirements… 1) The film is (principally) set in a village; 2) The film is likely to be centred one family that has so many members that we get to the intermission by the purpose we are going to rely the number of people on this family; 3) About 25% of the recognisable supporting actors throughout the enterprise is likely to be part of this family; 4) A minimum of 4 to five of these relations is likely to be carried out by comedians; 5) The hero can be the darling of all these relations; 6) The heroine is likely to be a barely fashionable lady (i.e, she’s going to get to placed on churidhar whereas women her age throughout the family is likely to be seen solely in half saris); 7) There is likely to be in any case one oor thiruvizha scene; 8) A minimum of one in every of many villains is likely to be any person who is alleged to the family; 9) There is likely to be in any case one scene boasting regarding the koottu kudumbam; 10) The plot will include bringing one estranged member once more into the fold.
Raajavamsam ticks all these bins, nonetheless in distinction to a Viswasam or a Namma Veettu Pillai, films on this fashion which managed to be entertaining, it items the underside bar for films aspiring to be on this fashion should clear.
Actually, when the film begins, it’s in a setting that’s the antithesis of the whole thing these films stand for — the IT enterprise. Sasikumar performs Kannan, a crew lead, who baggage a prestigious problem for his company, which is additional of a startup. The bosses of rival legacy corporations can’t digest this reality and resolve to do the whole thing to hazard this problem. Within the meantime, the timeline of the problem will get shortened from three months to 30 days. Kannan’s CEO is frightened, nonetheless he reassures him saying that he’d get his crew, who’re working eight hours a day, to double their working hours, and full the problem! #BossOfTheYear
You’d take into consideration that he’d set an occasion and lead the crew in route of this goal. Nonetheless no! You see, he has rather a lot higher points to take care of. Like his laaaaarge family, which he describes as “Ambani family illa anbaana family”! Apparently, his sportive teammates can afford to neglect their households and slog for 16 hours a day! No sweat!
Anyway, Kannan has to go to his village so that his family — with merely 44 members — can get him engaged to the girl they’ve found for him. Nonetheless then, as luck would have it, the girl happens to be in his private crew, and is in love alongside along with her relative. So, to get his family off his once more and take care of the problem, he decides that he’d go to his native for a day and get a colleague, Gayathri (Nikki Galrani), to pose as his lover. You’d assume that they’d do that and return as deliberate. Nonetheless no! He goes there with Gayathri, begins spending days alongside along with his family, will get married to the girl, and forgets all regarding the problem, kinda, sorta!
These days, there’s one phrase that’s usually utilized by these on social media to elucidate one thing that isn't palatable to them — cringe. With painfully unfunny comedy and comical villains to awfully written ‘twists’, embarrassingly unhealthy melodrama and toxic ‘messages’ handed off as family values, the film qualifies as an absolute cringefest with zero redeeming qualities.
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